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Ricardo Morales is one of the most sought after clarinetists of today. He joined The Philadelphia Orchestra as principal clarinet in 2003, having held the same position with the Metropolitan Opera Orchestra since the age of 21, under the direction of James Levine. His virtuosity and artistry as a soloist, chamber and orchestral musician have been hailed and recognized in concert halls around the world. He has been asked to perform as principal clarinetist with the New York Philharmonic, the Chicago Symphony Orchestra and at the invitation of Sir Simon Rattle, as principal clarinet with the Berlin Philharmonic. He also performs as principal clarinetist with the Saito Kinen Festival Orchestra and the Mito Chamber Orchestra, at the invitation of Maestro Seiji Ozawa.
A native of San Juan, Puerto Rico, Morales began his studies at the Escuela Libre de Musica, along with his five siblings, who are all distinguished musicians. He continued his studies at the Cincinnati Conservatory of Music and Indiana University, where he received an Artist Diploma.
He has been a featured soloist with many orchestras including the Metropolitan Opera Orchestra, the Chicago Symphony, the Cincinnati Symphony, the Indianapolis Symphony, the Seoul Philharmonic and the Flemish Radio Symphony. During his tenure with the Metropolitan Opera Orchestra, Mr. Morales soloed under the baton of James Levine in Carnegie Hall and on two European tours. He made his solo debut with The Philadelphia Orchestra in 2004 with Charles Dutoit and has since performed as soloist on numerous occasions.
An active chamber musician, Mr. Morales has performed in the MET Chamber Ensemble series at Carnegie’s Weill Recital Hall with James Levine at the piano, at the Santa Fe Chamber Music Festival, the Philadelphia Chamber Music Society, the Seattle Chamber Music Summer Festival, the Saratoga Chamber Music Festival, on NBC’s The Today Show, and with the Chamber Music Society of Lincoln Center. He has performed with many distinguished ensembles such as The Juilliard Quartet, the Pacifica Quartet, the Miró Quartet, the Leipzig Quartet and The Kalichstein-Laredo-Robinson Trio. He has also collaborated with Christoph Eschenbach, André Watts, Emmanuel Ax, Jean-Yves Thibaudet, James Ehnes, Gil Shaham and Kathleen Battle. Mr. Morales is highly sought after for his recitals and master classes, which have taken him throughout North America and Europe. In addition, he currently serves on the faculties of Temple University and the Curtis Institute of Music.
His performances have been met with critical acclaim. The Philadelphia Inquirer hailed his appointment to the Philadelphia Orchestra, stating that "in fact, may represent the most salutary personnel event of the orchestra's last decade." He was also praised by the New York Times as having “... fleet technique, utterly natural musical grace, and the lyricism and breath control of a fine opera singer,” Mr. Morales was also singled out in the New York Times review of the Metropolitan Opera’s production of Berlioz’s Les Troyens, describing his playing as “exquisite” and declared that he “deserved a place onstage during curtain calls.”
His debut solo recording, French Portraits, is available on the Boston Records label. Morales' recent recordings include performances with The Kalichstein-Laredo-Robinson Trio and also with the Pacifica Quartet, which was nominated for a Latin Grammy Award. In 2004, Mr. Morales joined forces with internationally recognized musical instrument designer, Morrie Backun, to develop MoBa, a line of professional clarinets and clarinet accessories by Backun Musical Services.
Photo Credit: Nathan Garfinkel